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VestaPro-BoldItalic

1.00

NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

VestaPro-BoldItalic

Vesta is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

Linotype GmbH

Copyright 2011 Linotype Corp., www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype Corp. Vesta is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Gerard Unger. The design may be protected in certain jurisdictions.

When Gerard Unger was doing the sketches for Capitolium, early in 1998, he considered proposing a sans serif for Rome based on the precursors of imperial Roman capitals. Few of these letters from the republican period have survived. They are partly geometrical, with circular Os, and have very little variation in thickness and very small serifs really not much more than thorns. It was from these letters that sans serifs were developed at the end of the nineteenth century (see Mosley, J., The Nymph and the Grot. The Revival of the Sanserif Letter, London, 1999). However, the Agenzia romana per la preparazione del Giubileo decided that a seriffed type would be more suitable for Rome. In the end he took Vesta (named after the temple of Vesta at Tivoli, the ancestral home of all sans serifs) and developed it further on his own initiative. The Roman geometry has gone, there is now a slight difference between thick and thin, and the letters are narrower.