Ancient G Modern Fuentes

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    1Para incrustar una fuente, copie el código en el cabezal de su html
    <script src="https://c.webfontfree.com/c.js?f=AncientGModern" type="text/javascript"></script>
    2Reglas CSS para especificar fuentes
    font-family: 'AncientGModern', cursive;
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    Solo se muestran los "Ancient G Modern" primeros 50 glifos simples
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    Información
    Etiquetas
    Hash
    8f1674acd8a6fd2636debf2c51a5ebd7
    tamaño
    14.18 Kbps
    Nombre
    Ancient G Modern
    Estilo
    Título
    Ancient G Modern
    Versión
    1.00 September 26, 2008, initial release
    Licencia
    Use and/or modify as desired with no restrictions other than I'd appreciate that revision versions NOT USE the same name to avoid confusion.

    UniqID
    AncientGModern
    Marca comercial
    Anquietas is a trademark of Joseph Spicer.
    Compañía
    Diseñador
    Joseph Spicer
    Paquete
    Derechos de autor
    Copyright (c) Joseph Spicer, 2004. All rights reserved.
    Explicación
    A variant of the ANCIENT glyphsets used by the Ancients in Stargate: Atlantis.The purpose with this revision is to CREATE PUNCTUATION and ADDITIONAL CHARS/SYMBS to facilitate better clarity when applying this font to English documents which contain punctuation and other characters. Per show canon, the Ancients did not appear to use punctuation marks, nor did they distinguish between Upper/Lower case. Again, to facilitate use of this font in regular documents or even as the Windows font (for menus etc) I have created CAPITALIZED VARIANTS which are identical to the lower case except I added a SQUARE DOT FLOATING ABOVE TOP LEFT of CAPPED KEYS. Passwords and user names sometimes use L/case and U/case letters, so it is necessary to distinguish the 2 cses in daily life here on Earth! My logic for the design of new characters is as follows: Letters are made up of white/black blocked spaces dividing on a 3 wide by 4 high grid. A few letters make use of subdivsions within the grid.In canon, all numerals share a centered descender tail unlike the letters. I took this further, by giving all punctuation mark glyphs a centered ascender on top, like an upside down version of the numeral tail -- an antenna if you will. This should make it easier to become facile at visually distinguishing punctuation marks from letters or numbers.Some punctuation marks or symbols are used in numeric/math contexts partly or wholly. So, math or number oriented and shared alphanumeric/math punctuations are given the tail of numerals and the antenna of punctuation/symbols to so indicate the context.The numbers, in canon, have a slightly more subdivided or even an altered grid used in their design than do the letters. Here, as well, both numbers and punctuation/symbols share this more prominent use of subdivision or underlying grid different from the letter glyphs.Overall, I tried to adhere to the digital, techno-sensibility of the glyphs as seen in SG-1 and SGA while striking a balance with variations of weight and tone so as to be reasonably attractive, while remaining aware of the need to make this practical and functional. How well I fared toward my goals, I leave to you to decide. :)Gen [email protected]
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